to commemorate the recent passing of the great Paul Bley, here’s a little transcription i did a while back of one of his solos (just the melody line because i’m a saxophonist).
he had an indomitable sense of melody, an authoritative touch, a deep sense of the blues, and was fearlessly innovative. this particular solo is cool to me because of his minimal left-hand comping, the beautiful flow and funkiness of the rhythm, the almost sing-song melodic quality and the weird but clever subversion of the harmony – made all the more wild by its departure from Coleman Hawkins’ wonderful solo.
and more than 50 years later it still sounds like it comes from the future!
(starts around 3:13)